Current Event Listing

The Theatre has a capacity of up to 956 when both rooms are utilized for a performance. Seating Policy: Depending on the show, we will sell tickets in one of three ways: 1. General Admission and seats will be available on a first come first serve basis with no seat guarantees; 2. Seat Guaranteed Tickets & Standing Room only tickets once the seats are sold out; 3. Seat Guaranteed Tickets only with no Standing Room available. Please check the individual show information for the type of ticketing available. We do not reserve seats in advance, nor do we sell tickets based on seat numbers. All events are General Admission on a first come basis through the door. You choose & reserve your seat once you enter the Theatre. Door & show times are listed under each event and vary depending on the event listed. If you have any question or concerns about a specific event capacity, seating arrangement or ticketing, please call our venue Box Office at (704) 358-9298 or email boxoffice@neighborhoodtheatre.com . All sales final, no refunds.

Shows are all ages unless otherwise noted.

Return to the Main Page

View your Shopping Cart

Haiti Benefit Show - 4 Bands
We are putting together a benefit for Haiti and all the door proceeds will go to support relief in Haiti.
Please check back for more details and bands.
For more information on Helping Haiti (click here)
Bands:
to be announced and more to come...
Sponsored Sweetwater Brewery & Neighborhood Theatre

Known as southern rock pioneers. their seven gold and three platinum albums have spawned classic hits like Heard It In a Love Song, Fire On The Mountain, Can't You See, and Take The Highway, and their definitive blend of rock, rhythm & blues, jazz, country, and gospel has earned them hit singles on both the Billboard Country and Gospel charts. They continue to be played on classic rock and country radio; and after 30 yrs of touring they can still rock your socks off!

The Marshall Tucker Band consists of Gray, Milner, Lawter, Swanlund, David Muse (formerly of Firefall, on sax, flute, and keys), and drummer B.B. Borden (formerly of Mother's Finest). The band took several stylistic detours with 1998's all-blues outing Face Down in the Blues and the 1999 spiritual album Gospel. A thorough reissue campaign was inaugurated in 2003, and the new studio record Beyond the Horizon appeared one year later. In 2006, the group released a live 1980 concert, Live on Long Island, and another new studio project, The Next Adventure, appeared in 2007.

Heywire opens

Apparently aware that jamband cliches were already beaten to death 10 years ago, Umphrey's McGee takes the genre's tired conventions and turns them on their ear. The band starts with progressive and heavy rock influences such as King Crimson and Dixie Dregs and crosses over into a zone we haven't yet classified. Not unlike their contemporaries moe., Umphrey's isn't afraid to craft actual songs -- adventurous and innovative but also catchy, engaging, and sometimes even concise.

Tiny Boxes opens
Bon Lozaga's (Gongzilla) latest venture, Tiny Boxes, is a high powered funky outfit ready to tear the house down! With the help from friends Joel Cummins (Umphreys Mcgee), Kofi Burbridge (Derek Trucks Band), Chuck Garvey (moe.) and others, Bon is finishing up a new studio album and hitting the road. Look for special guests at the gigs, as his friends are really diggin' the new band.

A Night in Rio will feature live samba and traditional dancing by Movimentos de Samba. Carolina Latin Dance Company will perform an Afro-Brazilian tribal dance featuring children dancers. Free samba lessons starting at 7pm will get the crowd moving. Demonstrations of capoeira, an Afro- Brazilian art form that combines martial arts, music and dance, will be demonstrated by Charlotte Capoeira Grupo. The globally-known hits of Antonio Carlos Jobim, Joao Gilberto, and Caetano Veloso will be interpreted by musician Reinaldo Brahm, while SoulBrazil will move the crowd with live samba music. The night will close with an exciting live batucada with drumming, dancers and audience participation. The Latin American Coalition invites you to journey through Brazil in an evening featuring traditional dancing; live musical performances of Samba, Bossa Nova, and Brazilian Beats; authentic foods; arts and crafts.
Please come join us for the unforgettable experience of Brazilian Carnival!
A NIGHT IN RIO: The Brazilian Carnival Experience
Doors open at 7pm, Celebration starts at 8pm
$10 in advance; $12 day-of show
This is a family friendly event.
More info call 704-458-8072.

Giving homage in a continually evolving artistic outlet, the Dark Star Orchestra recreates historic Grateful Dead set lists with compelling accuracy. Each night, the Chicago-based band decides on performing one show from the over 2,500 that the Grateful Dead originally performed during their 30 year tenure as fathers of improvisational rock.

Dark Star Orchestra presents the complete original set list, song by song, and in order, with uncanny faithful interpretation. To date, DSO has covered more than 1,300 different Grateful Dead shows.

At the end of every performance, the band announces the date and venue where the original show just covered took place. Dark Star Orchestra dips into every incarnation of the Dead, so most fans can "see" shows that happened long before they were born.

Donna Jean Godchaux Band opens

Giving homage in a continually evolving artistic outlet, the Dark Star Orchestra recreates historic Grateful Dead set lists with compelling accuracy. Each night, the Chicago-based band decides on performing one show from the over 2,500 that the Grateful Dead originally performed during their 30 year tenure as fathers of improvisational rock.

Dark Star Orchestra presents the complete original set list, song by song, and in order, with uncanny faithful interpretation. To date, DSO has covered more than 1,300 different Grateful Dead shows.

At the end of every performance, the band announces the date and venue where the original show just covered took place. Dark Star Orchestra dips into every incarnation of the Dead, so most fans can "see" shows that happened long before they were born.

Donna Jean Godchaux Band opens

The New Deal a pioneer of the "livetronica" sound and a mainstay in both the Electronic and Jamband scenes for close to eight years.
At the vanguard of a new progressive style, The New Deal has become a live touring phenomenon!
They have appeared at Bonnaroo, Langerado, Jazz Fest New Orleans, the Coachella Festival, Street Scene in San Diego, Berkfest, Gathering of the Vibes, Camp Bisco, and the Detroit Electronic Music Festival to name just a few. They have headlined over 400 shows in the past 4 years. the New Deal inspires audiences of all kinds, from packed dance clubs across North America, to spellbound receptions during opening tours with Herbie Hancock and Page McConnell from Phish.

Mindelixir opens

Drive-By Truckers make their Neighborhood Theatre debut, this is a band that was made to be heard live and loud. With three guitars that can take lead and three lead vocalists, this band can maintain a higher energy level than most mortals. They rock with an intensity and consistency rarely seen and can manage to stay melodic while blowing the roof off.

Rolling Stone called the Drive-By Truckers the boldest n baddest Southern band in the land. On their nine highly acclaimed albums the Truckers survey the modern South with a complex blend of realism-tempered pride and compassionate but uncompromising analysis. They recently released their entire Austin City Limits performance as a CD/DVD and The Fine Print (A Collection Of Oddities and Rarities).

Sons of Bill opens

His boisterous demeanor, quick chatting lyricism and unforgettable stage presence have all helped transform this Seaview Gardens local deejay into an internationally recognized reggae phenomenon.

George Clinton is one of the greatest innovators of urban based soul, rock and funk over the last forty years. Clinton has been showing the world what the funk is for fifty years and his career mirrors musical trends from doo wop to hip hop. Now the funky worm has turned with George back in control of his creative output with the C Kunspyruhzy label. I cant wait to grow this Pfunk thang all over again, he laughs. I got the old roots with the live concerts and the new branches with the various band members, as well as my own solo projects. Its the best of ALL worldsall worlds funky that is!

Yo Mama's Big Fat Booty Band opens on the Other Side!

All you Alt-country Southern Rock fans, if you haven't heard of these fellas yet, you need to check them out. This quartet of childhood friends has expanded beyond its Oklahoma roots to the forefront of the Texas Music Revolution. The band produced four albums on their own Underground Sound label before they took their music nationwide with big time label Universal South. Even with their new national image Cross Canadian Ragweed still has the same unspoiled, uncut, and unadulterated sound that existed from the beginning. Their live performance is one that should definitely not be missed!

When it comes to a party/concert with Robert Earl Keen, we just can't get enough...we know you love him, too. Among the large contingent of talented songwriters who emerged in Texas in the 1980s and 1990s, Robert Earl Keen struck an unusual balance between sensitive story-portraits ("Corpus Christi Bay") and raucous barroom fun ("That Buckin' Song"). These two song types in Keen's output were unified by a mordant sense of humor that strongly influenced the early practitioners of what would become known as alternative country music. Keen, the son of an oil executive father and an attorney mother, is a native of Houston. His parents enjoyed both folk and country music, and his own style would land between those genres. Keen wrote poetry while he was in high school, but it wasn't until he went to journalism school at musically fertile Texas A&M that he learned to play the guitar. He and Lyle Lovett became friends and co-wrote a song, "This Old Porch," which both later recorded.

Ani DiFranco has written hundreds of songs, played thousands of shows, captured the imaginations of legions of followers, and jammed with folkies, orchestras, rappers, rock and roll hall-of-famers, jazz musicians, poets, pop superstars, storytellers and a martial arts legend. Shes fixed up a few old buildings and minimized her carbon footprint before it was trendy from installing a geothermal heating and cooling system in the renovated church that her label calls home to using organic inks on all the t-shirts she sells. But nothing shes done in her 18-year career has garnered more attention than a business decision. Since Ani bucked the major label system in the early-90s, opting to release her music on her own terms, the self-described Little Folksinger has been the subject of all kinds of hyperbole. Shes been called fiercely independent (Rolling Stone), inspirational (All Music Guide), the ultimate do-it-yourself songwriter (The New York Times), etc. As the cracks in the music industry get larger and more big-name artists follow Anis lead Radiohead, Madonna and Nine Inch Nails among them maybe people will just start calling her smart.

Erin McKeown opens

Muzak Heart & Soul Foundation is about redefining music education and helping students develop a career path within the music industry. Battle of the Bands is a contest in which high school bands compete for the title of the best band. By sponsoring a Battle of the Bands, the Muzak Heart & Soul Foundation is able to benefit students interested in the music industry by giving them the opportunity to be recognized as well as raise awareness for the Foundation within the community. For more information or to register your band Register Click Here.
NOTE: Muzak Heart & Soul's Battle of the Bands event is open to all ages. However, bands participating in the competition must be comprised of at least 2 students currently enrolled in high school.

The Black Lips are a self-described "flower punk" band from Atlanta, GA. They are what you could call true visionaries of a skeptical age. Even from their very first 7" EP, you could tell they were doing their own thing on their own terms, and of course it didn't sit well, even with the dawning of the 21st century and all it promised. The fun these guys have is hard to hide either live or on record. Seriously slurred swashbucklers living out the ultimate teenage dream, yet breaking through another layer of remarkable idiocy, transcribed through hallucinations and exasperation.

Box Elders & Temperance League (formerly Bruce Hazel & the Volunteers) opens

Return to the Main Page